Cuts, casting, boards — the frames you shot and the ones you generated. Send one link. They open it and mark it up right there. No account. Nothing to download.
Treatment, casting, location, the cut, the delivery — one call after another, spread across email, Slack, a text thread, and a folder someone swears is current. Nobody has the whole picture. Least of all the client.
From the first note to the final sign-off — one link, no accounts, and the whole cycle in between.
Frame-accurate notes, or draw right on it. Anyone, no account, straight from a link.
Record a walkthrough on any deck or cut — so they hear your intent, not guess at it.
Dispatch reads the notes and the tape, then hands you the decision.
Blind 1–5 ratings when you need to pick, not discuss.
Every cut side by side. The pick takes a minute, not a meeting.
Internal clears it, then the client. Approved work stays closed.
Know if they even opened it — before you chase the note.
The finals go out with a Wrapped-style recap of the whole job.
Decks, scripts, stills, audio — shot or generated, it all reviews the same.
Zoom out from one cut to the whole studio — turnaround, rounds to lock, who’s slammed this week, and how you stack up against studios like you. The company-level read Frame never built.
Dispatch reads the actual notes and the tape, then hands you the decision — what to change, at which frame, from whose note. When two notes contradict, it flags them instead of splitting the difference. Export the markers straight to Premiere or Resolve. You still make the call; nothing moves on its own.
Open-ended notes when you need feedback. Blind 1–5 ratings when you need a call. Put up the casting picks, the location options, the VO takes, the generated character looks — everyone scores blind, and the room lands on one pick you can act on.
Who opened it, how far they watched, which frames they replayed, where they dropped. On the cut and on the deck. So when a client says "looks great" but never got past 0:20, you catch it before the next round — not after.
Every review tool shows you one asset at a time. Dispatch steps back: turnaround across every job, how many rounds you really take, who’s slammed this week, where the work sits waiting — and how your studio stacks up against studios like yours. The reporting layer a review tool was never built to give you.
Record your voice right on the cut or the deck, timed to what they’re seeing. They hit play and hear exactly what to look at and why — the way you’d say it in the room. When the review won’t line up on the calendar, the work still lands with your intent on it, not a cold first impression that’s already made up its mind. Every other review tool skips this part.
Frame.io, Markup.io, the rest — they’re a faster way to collect feedback. But collecting it was never the hard part. Deciding what actually changes, resolving the notes that fight, chasing the last sign-off, keeping every call on the record — that’s the job. Dispatch does that part.
Dispatch runs the job from bid to wrap — budgets, schedules, crew, deliverables. And every decision made in Review lands in the same brain: who approved what, when, and why. The more the production runs through it, the more it knows — and the Dispatch agent can move the job forward, not just track it.
Reviewers never pay and never sign up. You pay for one workspace — and the first 100 lock $49 for good.
Share a link in seconds. Your reviewers don’t need an account. You get the decision back.